BIZARRE (D12) “I Wish I was High”
Produced the beat for Bizarre of D12 on “I Wish I Was High,” working with an artist known for his close work with Eminem and Shady Records.
Trailer park boys
Produced the beat for “The Trailer Park Song,” featuring the full cast of Trailer Park Boys, one of Canada’s most recognizable comedy series.
PUMA – nueva camiseta 2025
Produced the music and sound effects for a PUMA commercial, creating the full audio experience to match the visuals.
Puma – Cell Venom
PUMA featured one of my instrumentals in an advertisement for the Cell Venom release on @PumaSportStyle
PUMA – New levels
PUMA featured one of my instrumentals in the New Levels campaign on @PumaFootball, bringing my music to a promotional release for the brand’s football line
Floor is…what!?
Produced the music for 10 stages of this four-player party game, packed with mini-games and over-the-top action across environments like lava, space, and ice. Coming soon to Nintendo Switch, PC, PlayStation, etc.
hacksmith industries
My music has been featured across multiple videos by Hacksmith Industries, the Canadian engineering and entertainment channel with over 15 million subscribers and 3 billion YouTube views.
NELK BOYS
Produced a song featured in a NELK Boys video that surpassed 4.8 million views, with my producer tag, “Strazdine, what up!” featured. With over 8.4 million subscribers and 1.96 billion total YouTube views, NELK brought my name to a massive audience.
WARNER MUSIC & MANU CORT
Produced “Tormenta de Dinero” for Spanish artist Manu Cort, promoted by Warner Music Spain, which tagged me in its posts. Being credited by one of the world’s leading music companies was a standout milestone in my production career.
HIP HOP CANADA
Featured in HipHopCanada, a leading Canadian hip-hop media outlet, in an article covering my collaboration with Bizarre of D12. The article highlighted my production work and recognized my credits with established artists and brands.
JESSIE PAEGE
Produced the instrumental for Jessie Paege, with the song surpassing 2.2 million streams on Spotify alone. With over 1.7 million YouTube subscribers and 350 million total channel views, her audience has helped bring the track to millions of listeners.
FEDD THE GOD
Produced music for Fedd The God & Bright Fame, an artist signed to Taylor Gang, the label founded by Wiz Khalifa. With millions of YouTube views, national tours alongside Wiz Khalifa and Logic, it’s a strong addition to my production credits
ETHIKA
Licensed one of my beats to Ethika Music for a release by Angel Hill, connecting my production with the music division of a globally recognized lifestyle and apparel brand. Ethika has grown into a major name in streetwear, with estimated annual revenue of around $65 million.
WHITNEY PEYTON & MELISSA MARIE
Produced “Bad Bitch” by Whitney Peyton, featuring Melissa Marie. Whitney Peyton has built a strong independent hip-hop career, with around 37,000 monthly Spotify listeners and a history of touring alongside established artists including Jelly Roll and Three 6 Mafia.
RJ PAYNE
Produced a track for RJ Payne, featuring multiple shout-outs to me throughout the song. Known for his elite lyricism and hard hitting battle rap style, Payne has earned recognition from Eminem and Dr. Dre, while also collaborating with hip-hop legend Ice-T.
BILLY MARTIN (GOOD CHARLOTTE)
Collaborated with Billy Martin, guitarist for Good Charlotte, on a collection of instrumental beats released as a collaborative beat tape. These productions have gone on to be used by multiple artists, bringing together creative input from a member of one of the biggest pop-punk bands of the 2000s.
NOLAY
Produced a beat used by Nolay, a respected South London rapper and one of the pioneering female voices in UK grime. With a career spanning over two decades, collaborations with Ghetts, P Money and Tricky, and a role in Netflix’s Top Boy, Nolay has established herself as a standout name in British rap.
BILL COLLECTOR
Produced a beat for Bill Collector, one of battle rap’s most recognizable personalities, known for his charismatic performances, freestyle ability, and memorable clashes on major platforms including Ultimate Rap League (URL) and King of the Dot (KOTD). His battle catalog has accumulated over 22 million views across 115 recorded battles, reflecting his lasting impact on the battle rap scene
BOIN
Produced a beat for BOIN76, an independent South Korean hip-hop artist known for her distinctive style and contributions to the Korean underground rap scene. Since debuting in 2016, she has released multiple projects, earned recognition as a Korea Hip Hop Best New Artist award winner, and built a catalog spanning solo releases and collaborations.
jACKSON TURNER
Produced music for Jackson Turner, also known as MC Heretic, a New York-born hip-hop artist who built an international career performing across the US, Europe, Africa, and Asia. Based in Beijing for much of his career, he collaborated with artists from around the world, and earned international media coverage. His legacy lives on through his music and the global community he helped build.
vuxvux
Produced the beat for “Dirty Pop-Tart” by VuxVux, the YouTuber behind the viral rap track that became a popular meme and TikTok sound. With 13.6 million YouTube subscribers and over 3.6 billion channel views, VuxVux has brought his music and comedy to a massive global audience.
Neka De La Muerte
Produced multiple beats for Neka De La Muerte, an underground hip-hop artist with a distinctive sound and a creative approach to his music. His releases include the album Life and collaborations with other independent artists, showcasing a unique style that stands out from the mainstream rap scene.
dizzy wright
Produced the beat for a track featuring Dizzy Wright, the acclaimed independent hip-hop artist and member of the 2013 XXL Freshman Class. With over 560 million Spotify streams across his catalog, more than 470,000 Spotify followers, and collaborations with established artists including Tech N9ne and Big K.R.I.T., Dizzy has built an impressive career in independent hip-hop
LASTKINGLX 刘炫廷
Produced “蜥蜴” (Lizard) for Liu Xuanting (LASTKINGLX), a Chinese rapper who rose to national prominence after finishing in the top six of The Rap of China 2019 and winning the Most Promising New Rap Artist award at the 2019 Fusion Hip-Hop Awards. With approximately 25,000 monthly Spotify listeners and a growing catalog of releases and collaborations, LASTKINGLX has established himself as a recognized name in China’s hip-hop scene.
Lauren Greco
Produced music for Lauren Greco (formerly GRCO), an Australian R&B and soul artist known for her powerful vocals and genre-blending sound. She reached the top 25 on The X Factor, went viral after appearing as a Joe Jonas superfan on The Voice and joining him for a duet, and has had her music featured on Triple J and Spotify editorial playlists.
Kronno zomber
Produced the beat for “SESIÓN #9 M4” by Kronno Zomber, a Spanish rapper and content creator known for blending hip-hop with gaming and anime culture. With over 6.5 million YouTube subscribers, 1.3 billion channel views, and more than 400,000 monthly Spotify listeners, Kronno Zomber has built a massive international audience for his music.
BUGGIE BARS
Produced “Bugging Out” by Buggie Bars, collaborating with acclaimed producer Kato On The Track, a Billboard-charting hitmaker. Hailing from Windsor, Canada, Buggie Bars blends melodic rap, R&B, and soulful production, earning industry recognition and a co-sign from The Game, while collaborating with established artists including Jarren Benton.
TUS
Produced “Τελευταία Φορά” (“Last Time”) by TUS, a prominent Greek rapper whose music has reached audiences well beyond Greece. With around 286,000 monthly Spotify listeners, 567,000 YouTube subscribers, and more than 465 million channel views, TUS has built an impressive audience for his music.
30
Co-produced “Blast Off” by 30 alongside Kato On The Track, the Billboard-charting producer behind records with major names in hip-hop. Released in 2019 as part of To My Detriment, the track showcases my work on a collaboration with an established producer and an independent artist with a strong catalog of releases.
High Diamond
Created a Culture Shock remix of “Fabulous” by HighDiamond featuring Amar Sandhu, collaborating with Baba Kahn, the award-winning DJ and producer behind the internationally recognized Culture Shock project. The remix blended Western pop and hip-hop with South Asian influences, bringing together HighDiamond’s vocals, Amar Sandhu’s Punjabi sound, and Baba Kahn’s signature East-meets-West production style.